Only ten songs peaked on the Hot 100 in the week of 16 February 1980 and quite a few of them are notable, so this overview will be fairly short.
We both know something is coming
First off, at #87 we have “I Don’t Want to Be Lonely” by the lovely Italian Dana Valery, which is a very good song for people learning how to speak English. Valery sings about a relationship on the rocks very simply and clearly, the sentences are very straightforward and literal, using only the commonest of idioms. As a result, it is incredibly unmemorable, with no standout lines or anyplace in particular in the song where the music does anything surprising or notable… even the guitar solo is anodyne. I’d be amazed if anyone remembers this song at all.
Journey to the stars! Rock n’ roll guitars!
Then we have “I Like to Rock” by April Wine at #86. April Wine were a much bigger deal in Canada than they were in the US, but they had a bit of a heyday south of the border for a year and a half around 1981. It’s not entirely clear exactly what prompted them to write “I Like to Rock”. The lyrics are a bunch of non-sequiturs, particularly the part about space travel, and the music is not particularly special classic rock jammin’. C’mon Canada, you can do better than this.
Even though it’s not a big hit for them, “The Hardest Part” by Blondie (#84) is too interesting to tackle in just a few sentences. It gets its own page.
Spread it with some jelly
“Peanut Butter” by Twennynine featuring Lenny White (#83) is not in any way what I was expecting. I was expecting a disco cover of “I like Peanut Butter” by The New Beats, which is surprisingly not the most insipid song ever written. Instead, this is a funk anthem of sorts about eating peanut butter sandwiches. Oh, with the occasional Woody Woodpecker laugh. It’s a weird concoction clearly made with a healthy sense of nonsense. Or is it really a Taoist philosophical parable — if all you want in life is a peanut butter sandwich, how can you ever be unhappy? You know, ’cause peanut butter ain’t nothin’ but a sammich.
Mike Pinera had a career playing guitar with hard rockers like Iron Butterfly and Alice Cooper, which makes “Goodnight My Love” (#70) weirdly incongruous, because it sounds like the kind of thing Kenny Rogers should be singing. That’s not exactly a bad thing, and I think Pinera actually does a better job than the standard lifeless crooner in singing about how torn he is between wanting to stay with his love and needing to leave because the wee hours are turning into the waking hours. he sounds tender and torn, and that’s an achievement in easy listening. Nonetheless, the song isn’t particularly memorable, which makes his lack of chart success unsurprising.
It’s a heartbreakin’, earthshakin’ devil’s child
I can’t say the same about Dann Rogers’s delivery in “Looks Like Love Again” (#41), in which he sings about the repeated travails love puts you through in a tone more suited to selling dish soap. It’s a shame, because lyrics like “love’s a little slice of heaven and a little hell” deserve a more heart-felt vocal, and the title needs to be sung in a world-weary pain that doesn’t come across in perky easy-listening country well. This one could serve to be covered by someone willing to take more risks.
There are four more songs that peaked this week, but they’re all notable, so I’ll write about them individually. And because they’re all clumped in the high numbers I can keep them secret for a bit. So, those are the lesser songs of the week of 16 February 1980. Next up will be Blondie, and then four mystery songs, at least one of which is actually good.